Description:

Stanley Boxer (1926-2000), American
DASROTESCHNEEWO (REDSNOWWHERE), 1997

mixed media on canvas
signed, titled, and dated "11/97" verso
17.4 x 60 in — 44.2 x 152.4 cm

Estimate: $10,000—15,000 CAD

  • Provenance: Gallery One, Toronto, ON
    Private Collection, Toronto, ON
  • Dimensions: 17.4 x 60 in — 44.2 x 152.4 cm
  • Medium: mixed media on canvas
  • Notes: Dasroteschneewo (Redsnowwhere) belongs to the late work of Stanley Boxer. The artist’s much-discussed titles – distinctively compressed, compounded and often combining English with Germanic elements – were central to his practice. Inspired by the work of e.e.cummings, they are among the most distinctive in postwar American painting. In Dasroteschneewo (Redsnowwhere), Boxer’s titling strategy is made explicit through the hybridization of German and English: “das rote Schnee” (“the red snow”) and “wo” (“where”) are fused into “Dasroteschneewo,” then echoed in the English “Redsnowwhere.” The structure of the title does not clarify meaning but instead multiplies it through repetition.

    Though classified by Clement Greenberg as a Colour Field painter, Boxer rejected this label, as he rejected the label of Abstract Expressionism. Strongly committed to abstraction and immersed in the language of Modernism, Boxer preferred to concentrate on the materiality of paint. In the Los Angeles Times, art critic Christopher Knight addresses the material density of Boxer’s paintings, describing the artist as a “sculptor of paint.”[1] Texture, colour, and gesture were Boxer’s hallmarks. Later paintings are typified by heavily worked surfaces, often embedded with stones, seeds, wood, metal, string, and other materials.

    Grace Glueck, reviewing the artist’s late work, notes that “Although the works could be read as landscapes, they seem to exist more purely in the realm of paint; the artist sensuously exploring its physical possibilities without script or program. As Boxer joked in his titles, these canvases, more than most, do not really lend themselves to verbal exposition. They live for the eye, to which they bring deep satisfaction.”[2]

    [1] Chris Knight, “Stanley Boxer; Artist Called ‘Sculptor of Paint,” Los Angeles Times, May 13, 2000, https://www.latimes.com/archives/la-xpm-2000-may-13-me-29645-story.html
    [2] Grace Glueck, “Art in Review; Stanley Boxer,” New York Times, April 23, 2004, https://www.nytimes.com/2004/04/23/arts/art-in-review-stanley-boxer.html
  • Condition: Very good overall condition.

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28 May 2026 17:00 EDT
Toronto, ON, CA

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