Lot 201

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Description:

Aisa Qupirualu Alasua ᐊᐃᓴ (1916-2003), Puvirnituq (Povungnituk)

MOTHER WITH CHILD IN AMAUTI, CA. 1955

stone, ivory, sinew, unsigned; disc number inscribed

Estimate: $10,000—15,000
Important:
Many countries prohibit or restrict importation or exportation of property containing ivory, whale bone, sealskin, and/or products derived from other endangered or protected species, and require special licenses or permits in order to import or export such property. It is the responsibility of the buyer to ensure that the item is properly and lawfully exported / imported. Please do not hesitate to contact one of our specialists for further details.

    Provenance:
  • Private Collection, Toronto, ON
    Waddington's Auctioneers, Toronto, ON, 27 May 2019, lot 74
    Private Collection, Toronto, ON
  • Dimensions:
  • 8.5 x 10 x 7.5 in — 21.6 x 25.4 x 19.1 cm
  • Artist Name:
  • Aisa Qupirualu Alasua ᐊᐃᓴ (1916-2003)
  • Medium:
  • stone, ivory, sinew
  • Notes:
  • One of the early masters of Puvirnituq (Povungnituk) sculpture, Aisa Qupirualu Alasua (sometimes Kopeekolik) made his first stone carvings at the behest of James Houston, who visited the coastal camps around Puvirnituq in the spring of 1950. (1) An exceptionally gifted artist, Qupirualu was generally recognized within his community as the most talented among his Puvirnituq peers: no mean feat considering his contemporaries Charlie Sivuarapik and Samisa Ivilla. (2)

    Tightly composed and finely polished, Mother and Child in Amauti, from ca. 1955 is bristling with fine detail. Early Puvirnituq sculpture often incorporated components made from ivory or bone. The use of these contrasting materials was a necessity for artists, who wished to include fine detail in the unforgiving stone of the region. The visual effect of the contrast draws the eye to the essential features of the face, or the tools fundamental to survival. Mother and Child in Amauti, more than any other work by the artist, reveals Qupirualu’s mastery of this technique. The contrasting eyes, teeth, ulu and other essential implements give the portrait an undeniable intensity.

    (1) Darlene Coward Wight, Early Masters: Inuit Sculpture 1949-1955 (Winnipeg: Winnipeg Art Gallery, 2006), 123.
    (2) Wight, Early Masters, 123.
  • Condition:
  • Overall very good condition. Quarrying lines and other imperfections inherent in material. Minor repair to break in ulu. Please contact the specialist for further condition information.

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Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country's laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. For more information please visit www.cites.org

May 29, 2024 7:00 PM EDT
Toronto, ON, CA

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Bid Increments
From: To: Increments:
CA$0 CA$249 CA$10
CA$250 CA$499 CA$25
CA$500 CA$999 CA$50
CA$1,000 CA$1,999 CA$100
CA$2,000 CA$4,999 CA$250
CA$5,000 CA$9,999 CA$500
CA$10,000 CA$19,999 CA$1,000
CA$20,000 CA$49,999 CA$2,000
CA$50,000 CA$99,999 CA$5,000
CA$100,000 CA$299,999 CA$10,000
CA$300,000 CA$999,999 CA$25,000
CA$1,000,000 CA$1,999,999 CA$50,000
CA$2,000,000 CA$2,999,999 CA$100,000
CA$3,000,000 CA$4,999,999 CA$200,000
CA$5,000,000 + CA$300,000