Editions

1: Francisco José de Goya y Lucientes (1746-1828), PLATE 77, UNOS Á OTROS, (WHAT ONE DOES TO ANOTHER) FROM LOS CAPRICHOS, CA. 1855 [H. 77]

2: Francisco José de Goya y Lucientes (1746-1828), BÁRBAROS!, PLATE 38 FROM LOS DESASTRES DE LA GUERRA, CA. 1892-1937

3: Francisco José de Goya y Lucientes (1746-1828), LOS DESASTRES DE LA GUERRA, CA. 1810-1820 [D. 121-199; H. 122-200]

4: Francisco José de Goya y Lucientes (1746-1828), CAIDA DE UN PICADOR DE SU CABALLO DEBAJO DEL TORO, PLATE 26, FROM "LA TAUROMAQUIA," 1815-1905 [H. 229]

5: Albrecht Dürer (1471-1528), THE RESURRECTION, CA. 1511 [N.H. 124; B. 15]

6: Albrecht Dürer (1471-1528), CHRIST IN LIMBO, FROM THE LARGE PASSION, CA. 1509-1511 [N.H. 121; B. 14]

7: Albrecht Dürer (1471-1528), ABDUCTION OF PROSERPINE ON A UNICORN, 1516-1876 [B. 72, M. 67]

8: After Johann Wilhelm Weinmann (1683-1741), SET OF SEVEN HAND-COLOURED ENGRAVINGS FROM PHYATHOZA ICONGRAPHIA, 18TH CENTURY

9: Oskar Kokoschka (1886-1980), JUNGE FRAU GRABSTELE, FROM BEKENNTNIS ZU HELLAS, 1961/1964

10: Oskar Kokoschka (1886-1980), HYGEIA II, FROM BEKENNTNIS ZU HELLAS, 1961/1964

11: Oskar Kokoschka (1886-1980), AKROPOLIS I, FROM BEKENNTNIS ZU HELLAS, 1961/1964

12: Oskar Kokoschka (1886-1980), AEGINA I, FROM BEKENNTNIS ZU HELLAS, 1961/1964

13: Cecil Tremayne Buller (1886-1973), DIVING STAND 2, CA. 1935

14: Cecil Tremayne Buller (1886-1973), DIVING STAND 1, CA. 1935

15: Henri de Toulouse-Lautrec (1864-1901), MARY HAMILTON, FROM LE CAFÉ CONCERT, 1893 [W.21]

16: Pierre Bonnard (1867-1947), LA TOILETTE ASSISE, FROM PIERRE BONNARD, PEINTRE ET LITHOGRAPHE, 1925

17: After Käthe Kollwitz (1867-1945), WEIBLICHER RÜCKENAKT AUF GRÜNEN TUCH, 1903 [K. 69]

18: After Käthe Kollwitz (1867-1945), 9 PLATES, FROM HANDZEICHNUNGEN, 1920

19: Camille Pissarro (1830-1903), MARCHE À LA VOLAILLE, À GISORS, 1891 [L. 613C; D. 98]

20: Henri Rivière (1864-1951), UN MATIN BRUMEUX À MORFAT, FROM "LE BEAU PAYS DE BRETAGNE," 1915